Author: Matt Van Nus (Page 1 of 2)

Cell Phone Bans, Screen Time, and the Bigger Picture

Photo by Magenta on Unsplash

When I first started thinking about school cell phone bans, I felt like an outsider. I don’t teach children, and I don’t have kids at that age.  So I wanted to take a different perspective that comes mostly from research, and what I found is… complicated.

When I first started looking at school cell-phone bans, I expected the data to be pretty one-sided. Most headlines, and many large studies, warn about the dangers of too much screen time. But as I read more, the picture became more complicated, especially when you look at what kids are doing on those screens and who has the resources to guide them.


Not All Screens Are Equal

Karani, N. F., Sher, J., & Mophosho, M. (2022). state that active and passive screen time are not the same thing. Active use, (where a child is creating, problem-solving, or physically engaging) can expand vocabulary, spark curiosity, and expose children to new cultures. Passive use (think endless scrolling or background TV) is far more likely to carry negative effects.

The issue isn’t screens themselves, but the context and purpose of use.


Risks of Social Media Overload

Photo by Shyam Mishra on Unsplash

I feel as this is a cell phone ban policy, this mostly would impact the teenage students in our systems. So I wanted to understand what impacts device use has on that age.

Santos, Mendes, Sen Bressani, de Alcantara Ventura, de Almeida Nogueira, de Miranda, and Romano-Silva (2023) document the mental-health costs of heavy social media use among teens. Fear of Missing Out (FoMO) drives constant checking, while late-night “vamping” disrupts sleep and lowers cognitive performance. Blue-light exposure delays melatonin release, worsening anxiety and depression related to lack of sleep.

The research doesn’t say “ban everything,” but it does show how unlimited, unsupervised use erodes well-being.


What about Cell Phones in Classrooms?

Research on school phone bans shows mixed results, but one pattern stands out: the biggest gains come from students already at a disadvantage.

    • Beland & Murphy (2016) found exam scores rose slightly overall after bans, but the effect was driven by low-achieving students, whose scores improved by about 14% of a standard deviation.

    • Abrahamsson (n.d.) saw similar benefits for students from low socioeconomic (SES) families, while high-SES students showed little change.

Removing phones can act as a small equalizer, giving vulnerable students a better chance to focus. Yet I’d caution on framing this as a matter of “poor self-control,” as some researchers do, risks blaming individuals while ignoring structural barriers (economic stress, crowded classrooms, and limited academic supports) that make concentration harder.

A ban may reduce distraction in the short term, but lasting equity requires more than policy: schools also need digital-citizenship education, mental-health resources, and supports that help all students learn to manage technology beyond the classroom.

(Campbell, Edwards, Pennell, Poed, Lister, Gillett-Swan, Kelly, Zec, & Nguyen, 2024)


Parental Involvement as a Protective Factor

Muppalla, Vuppalapati, Pulliahgaru, and Sreenivasulu (2023) offer a more positive note. High-quality content,  such as e-books, early-learning TV, educational blogs, can strengthen language, literacy, and even positive racial attitudes. Their review finds that parental involvement is key:

    • co-viewing programs,

      Photo by Vitaly Gariev on Unsplash

    • setting boundaries, and

    • keeping screens out of bedrooms

Are all reduce risks like sleep disturbance, lower academic performance, and social-emotional delays.

This makes intuitive sense. Kids benefit when adults help them choose enriching content and limit mindless consumption.


But Here’s My Social-Justice Catch

Pointing to “good parenting” as the solution can unintentionally shift responsibility away from systems and onto individual families.

Families with higher incomes and flexible jobs are far more able to supervise screen use by curating content, enforcing limits, and co-viewing, than families working multiple jobs or night shifts. They also have more resources to offer the alternatives to screen time such as sports, music lessons and other organized activities.  Children who spend more unsupervised time on screens are not necessarily victims of “bad parenting,” but of structural inequities such as:

    • low wages that require parents to work two or three jobs,

    • inadequate childcare options,

    • housing, transportation, and food security barriers that consume family time.

A social-justice lens asks us to see these conditions not as private failings but as the result of economic and policy decisions.

Blaming parents for “too much screen time” ignores the way labour markets, childcare access, and digital inequality shape what’s possible inside a household.


Moving the Conversation Forward

If society feels screen time is an issue that needs attention, they also need to address equity. Digital citizenship lessons, after-school programs, and accessible community spaces can help fill the gap for students whose parents simply can’t monitor every online interaction.

The real question isn’t just how much screen time is safe, but who gets the support to use technology well.

NOTE: The ideas and opinions expressed in this post are my own. I used ChatGPT to help organize and articulate my thoughts more clearly. All other sources are referenced below

References

Campbell, M., Edwards, E. J., Pennell, D., Poed, S., Lister, V., Gillett-Swan, J., Kelly, A., Zec, D., & Nguyen, T.-A. (2024). Evidence for and against banning mobile phones in schools: A scoping review. Journal of Psychologists and Counsellors in Schools34(3), 242-265. https://doi.org/10.1177/20556365241270394 (Original work published 2024)

Muppalla, S. K., Vuppalapati, S., Pulliahgaru, A. R., & Sreenivasulu, H. (2023). Effects of excessive screen time on child development: An updated review and strategies for management. Cureus, 15(6), e40608. https://doi.org/10.7759/cureus.40608

Karani, N. F., Sher, J., & Mophosho, M. (2022). The influence of screen time on children’s language development: A scoping review. The South African journal of communication disorders = Die Suid-Afrikaanse tydskrif vir Kommunikasieafwykings69(1), e1–e7. https://doi.org/10.4102/sajcd.v69i1.825

Santos, R. M. S., Mendes, C. G., Sen Bressani, G. Y., de Alcantara Ventura, S., de Almeida Nogueira, Y. J., de Miranda, D. M., & Romano-Silva, M. A. (2023). The associations between screen time and mental health in adolescents: a systematic review. BMC psychology11(1), 1-21.

Week 1: Learning Piano in the Age of AI

Week 1 Piano Progress

My first update on a 12‑week journey to learn Still D.R.E.. on piano

Below: a short video of where I’m at after Week 1, and some thoughts about using AI as a practice coach.


Without further ado.. week 1

 

Some high and low lights I noticed:

  • I felt like I made progress!
  • Understanding some scales
  • Understand some notes
  • Brain to finger pathways need development, particularly on left hand
  • No rhythm, not surprising.. I never have had it

Week 1 Strategy: Artificial Intelligence, Real Wrong Notes

Enter the Robots…

source: giphy.com

 

I asked several AI tools for a 12‑week practice plan. What I found was interesting, and a little frustrating:

  • Different AIs, different strategies. Not surprising , there are multiple valid learning paths and I see this as having different teachers.

 

  • Some notes and chords were incorrect. A few suggestions were flat‑out wrong. They simply were not the correct notes
ChatGPT ClaudeAI
Description 1 Description 2

source: giphy.com

  • The song key varied between answers. My plan was to improvise on some scales then lead into the riff, but I could not get a clear answer on what key the song is in
ChatGPT ClaudeAI
Description 1 Description 2

So where exactly is AI getting its data, and how do we know what’s reliable?

Sometimes I could persuade the AI to change its answer, but only after I’d gone out and found the right information myself. That was a big red flag: the tool sounded confident, but it hadn’t actually checked against a single authoritative source.

Teaching AI now?

What I had built: a tiny, local chatbot

During a past project I wanted to see if could create a chatbot for my students. It was surprisingly simple with some python coding and helped my understand just what AI is doing on a smaller scale.

I made a script that fed a single PDF into a chatbot powered by ChatGPT’s LLM (Large Language Model). The script chunked the PDF into small sections so the model could search them and answer questions based only on that file. This is basically what larger AIs do,  just with vastly more reference data. That explains both their power and their occasional errors.

Simple metaphor: AI is like a gigantic library where the books have been shredded into tiny pieces. It learned patterns from those pieces and now predicts the next most likely words, it doesn’t “look up” facts the way a person would.

Quick takeaways

  • AI = fast guidance
  • Not a definitive source
  • Double‑check with ears & other sources
  • For now, AI is my guide

Leading into Week 2

Next week: my next step was YouTube, which I use a lot in my day to day life. Turns out the platform brings its own set of surprises, and intentional design choices that don’t always help focused learning. Stay tuned to see what I mean.

Major Project Introduction: Learning Piano Through Online Resources

 

For my major digital project, I have chosen Option B: the learning project. Over the next twelve-ish weeks, I will be focusing on learning to play the piano. While my end goal is to be able to perform a recognizable piece of music, the true purpose of this project is to explore how online platforms, communities, and professional development networks can support the process of learning a new skill.

Why Piano?

Although I am starting as a beginner, I do have some past musical experiences that shape how I approach this project. I played the trumpet in my Grade 6 band, took a few guitar lessons about twenty years ago, and more recently I’ve observed my son’s piano lessons. Watching him learn has inspired me to try piano myself, and it also gives me a useful comparison point between formal, in-person lessons and informal, self-directed online learning.

Learning Goals

This project has both personal and professional learning goals:

  • Personal skills: develop piano basics such as scales, chords, rhythm, and finger placement.

  • Learning strategies: document how online resources (tutorials, apps, AI, and open educational resources) support skill development.

  • Educational lens: reflect on what this experience reveals about teaching, learning, and motivation in digital spaces.

  • Professional development: begin building an interactive support network, a professional learning community where I can share my progress, learn from others, and contribute resources. This will not only support my piano journey but also model how professional development networks can enhance teaching and learning.


If anyone has an app recommendation please tell me in the comments

Process & Documentation

The focus of this project will be the learning process rather than the final product. Each week, I will document my experiences through blog posts that combine reflections, videos, images, and links to the resources I’ve explored. These posts will serve two purposes:

  1. Personal reflection : tracking my progress, challenges, and successes.

  2. Community contribution : sharing resources, insights, and questions with my peers so that we can learn from each other and begin building a professional development network together.

Final Outcome

By the end of twelve weeks, my aim is to perform a short but recognizable piece on the piano, one that I hope readers will recognize when I play it. More importantly, I want to demonstrate how online learning can be supported through diverse resources and communities, and how building a professional development network can extend beyond this project into my future teaching practice.

What’s Coming Next

In the weeks ahead, I’ll be exploring a wide range of online learning supports,  from YouTube tutorials and open educational resources, to AI tutors, learning apps, and community forums. Each week I’ll reflect on both my musical progress and on what these tools reveal about online learning, motivation, and teaching.

To make this process more interactive, I’ll also be experimenting with ways to involve others. For example:

  • Polls and surveys to gather feedback (e.g., which online learning tools do you use in your own practice?).

  • Shared resources (posting links or guides that I find helpful).

  • Questions for discussion (inviting peers to reflect on their own experiences with self-directed learning and professional development networks).

Let’s Start With a Poll

Since this course is about online learning and professional development, I’d like to begin by asking:

When you want to learn something new, what’s your first go-to resource?

View Results

Loading ... Loading ...

From MSN to Microphones: My Journey with Social Media

My First Social Media Experience

My relationship with social media began in the early 2000s with MSN Messenger. At the time, it felt revolutionary. For the first time, I could instantly reach out to friends and “chat ” whenever I wanted. This was especially meaningful for me as someone who was not naturally talkative in person. MSN offered a new avenue for connection, one that shaped the way I interacted with peers and broadened my comfort with digital communication.

The Highs and Lows of Connection

As new platforms emerged, my engagement with social media went through phases of greater and lesser intensity. In some seasons, it became a dominant part of my life, particularly because so many of my peers were active on message boards and event-based communities. Those spaces created meaningful networks that, interestingly, still exist in some form today and I remain in contact with people I first connected with through those early digital communities.

The positive aspects of social media are clear in my personal life. It has allowed me to maintain connections that would otherwise have been lost. I can witness friends’ families grow, share in their experiences, and celebrate milestones, even from a distance. Yet, there is also a bleaker side. Social media often fosters comparison, and I have found myself at times falling into the trap of measuring my own life against carefully curated images of others. This has been one of the more harmful aspects of my engagement with it.

Some people

Professional Growth Through Social Media

Professionally, social media has offered unexpected benefits. For several years, I created a podcast, which helped me develop confidence speaking on a microphone and in front of a camera. Because I now teach online, these skills have been particularly valuable in my career. Being comfortable using technology to communicate, engage, and present has made my transition into online teaching much smoother and more effective. At the same time, I remain cautious about the risks. I intentionally keep my professional and personal presence separate, avoiding the use of my full name and maintaining boundaries to protect both my work and my private life.

Hosts of PatsCast – the unofficial Regina Pats Podcast

Looking Ahead: Intentional Engagement

Overall, my relationship with social media is complex. There have been moments when it has been more harmful than beneficial, particularly in terms of distraction and comparison. However, I also recognize its unique ability to connect, create, and provide professional opportunities. Moving forward, I view social media as an important platform for building my portfolio and professional identity. The challenge for me will be to engage with it intentionally and maximizing its positive potential while remaining mindful of its limitations.

Reflecting on the Journey: My Final Thoughts

As I wrap up this course, I’ve been reflecting on the experience—not just what I created for my final project, but what I learned along the way, and how it’s reshaped the way I think about teaching, learning, and accessibility.

I started the course with a fair bit of confidence, especially around the technical aspects. I’ve had experience with LMS platforms like Brightspace, blogging, and creating interactive content with H5P. I thought, “Okay, I know my way around this stuff.” And while that was true to a point, what I quickly learned is that knowing how to use tools is different from knowing how to teach effectively with them.

What really excited me about this course was the focus on pedagogy. We weren’t just checking off a list of tech tools. We were diving into the “why” behind the design, the theories that support good teaching, and how to make learning meaningful for everyone.

One of the things I appreciated most about the course was how it modeled the kind of learning it was encouraging. The structure wasn’t top-down. It was collaborative, reflective, and built around student choice. We were invited to take responsibility for our own learning. That made a huge difference.

There was also a real sense of freedom in the assignments. We were able to pursue projects that were relevant to our own work and learning environments. For me, that meant creating a Brightspace tutorial using H5P, something I could use in a real-world context and that aligned with my own goals of increasing learner accessibility.

Another highlight for me was engaging with my peers. I want to take a moment to say how much I appreciated being part of everyone’s learning journey. Even though I didn’t reply to every blog post, I did read through many of them, and I found so much inspiration and insight in what others shared. It was encouraging to see the diversity of projects, perspectives, and approaches, and it helped me expand my own thinking.

Peer feedback was a challenge for me to be honest. Opening up your work for critique can feel vulnerable, and offering constructive feedback to others can bring up its own kind of self-doubt. But in the end, it was one of the most valuable parts of the course. Reading others’ work and offering feedback pushed me to reflect more critically on my own choices. Sometimes I found myself thinking, “Oh, that’s a great idea, I could incorporate that,” or, “That approach might work better than mine.” It created a space for growth that I didn’t expect, and I’m grateful for it.

So, thank you to everyone who made this course what it was. To all my peers, thank you for the blogs, the feedback, the ideas, and the vulnerability. Being part of this community of learners has made a lasting impression, and I’m excited to carry what I’ve learned into my future practice.

 

Course Overview and Creative Process: My Journey in Designing ECI834

Shifting from Brightspace to Pressbooks: A Rationale

Access the Pressbooks Course Here

The links to Brightspace activities won’t work as you need to be a faculty or student, but most of the functionality in pressbooks will work.

 


Original Course Profile

Here

 


I Know it's almost 20 minutes, I talk slow, watch at 1.25X speed :)

When I first began designing my ECI834 course, I initially chose Brightspace as my Learning Management System. However, I quickly encountered a paradox—it felt counterintuitive to teach students how to navigate Brightspace while requiring them to already be comfortable with it. This realization prompted me to explore alternative platforms.

One of the biggest challenges I faced was accessibility, particularly for English as an Additional Language (EAL) learners. I discovered that most LMS platforms struggled to translate interactive H5P content—except for Pressbooks.

BLOG POST HERE

This alone became a deciding factor in my switch. Pressbooks also offered a cleaner layout and greater flexibility, allowing me to design the course in a way that aligned with my vision rather than fighting against platform limitations.

Another advantage of Pressbooks was its public accessibility to share with this class, also I support the OER ideology. Brightspace required institutional credentials, which limited peer review and collaboration. By moving to Pressbooks, I was able to provide open access to course content while still linking back to Brightspace for private assessments.

Prioritizing Accessibility

Accessibility was at the core of my design choices. Pressbooks’ built-in multilingual translation features stood out as a game-changer. Students could use their browser’s translation tools to convert course content into their preferred language, and I supplemented this with written instructions to guide them through the process. This became one of my favorite aspects of the course.

I also prioritized offline access by leveraging Pressbooks’ ability to generate PDFs of the course materials. While these PDFs couldn’t capture all interactive elements, they still provided a valuable resource for learners needing an alternative format.

Another key consideration was ensuring that all H5P activities had accompanying text-based instructions. This redundancy allowed students with different learning preferences—or those using screen readers—to fully engage with the material. In hindsight, I recognized an area for improvement: some visual elements in the offline version weren’t accessible to screen readers. Moving forward, I would refine these aspects to ensure truly inclusive design.

Structuring the Course for Clarity

Navigation was a major focus in my course design. Pressbooks automatically generates a linked table of contents, which streamlined the structure and ensured intuitive access to different sections. To further support learners, I included:

  • Task Signposting: A designated icon for required activities, helping students quickly identify key tasks.
  • Time Estimates: Each module included an estimated completion time, allowing students to manage their workload effectively.
  • Pre-Existing Resources: Rather than reinventing the wheel, I embedded high-quality YouTube videos for platform navigation, leveraging familiar tools with accessible closed captions.

Engaging Pedagogical Approaches

Interactivity played a crucial role in my instructional design. I incorporated H5P activities like image sliders and drag-and-drop exercises to create an engaging learning experience. Additionally, I wanted low-stakes opportunities for learner to try thing with out the fear of failure. I included a number of exercises, including an online exam that utilizes the Respondus proctoring software, giving students hands-on exposure to digital assessment tools.

One of the most exciting elements of the course was the final assignment: student-generated content. I asked students to create a guide on a topic of their choice, in their preferred language, for future learners. This approach not only empowered students to teach one another but also fostered a diverse and inclusive knowledge base. While there was a risk that I wouldn’t understand some of the submissions, I embraced this as an opportunity to trust my students and encourage multilingual contributions. This aligns with Universal Design for Learning (UDL) principles, allowing students to choose the format that best suits them—whether it be video, infographic, written, or audio-based content.

The Creative Process: Reflection and Challenges

Designing this course was a challenging process, filled with learning moments. I genuinely enjoyed experimenting with different tools and formats, even when it meant starting over multiple times. Unlike traditional course design, where perfection is the goal from the outset, I embraced a more fluid approach—one that welcomed adaptation and refinement based on feedback.

For instance, after receiving feedback about an incorrect answer in an H5P activity, I immediately made the necessary corrections. This experience reinforced my belief in the importance of continual reflection and responsiveness in course development.

Ultimately, this experience has reaffirmed the importance of flexibility in instructional design. Course creation isn’t just about delivering content—it’s about ensuring that content is meaningful, accessible, and engaging for all students. And as I continue refining my approach, I look forward to uncovering even more ways to enhance the learning experience for future cohorts.

 

Feedback, Frustration, and Pressbooks: My Course Design Odyssey

Throughout this process, it wasn’t just the peer feedback I received that helped me grow, but also the act of reviewing my own work. As I assessed the projects of my peers, I began to notice gaps and areas for improvement in my own course.

I reached a point of frustration where I realized I needed to make a major shift. I ended up switching platforms to Pressbooks, which I believe better reflects the vision I had in mind for both content and visualization. One of the main reasons for this change stemmed from the accessibility concerns we discussed in class. I struggled to get the in-browser translation feature to work properly in Brightspace, particularly when it came to H5P content. The best solution I found was to move my project to Pressbooks, where this feature would function properly.

I also found it difficult to reconcile the idea of teaching how to use Brightspace within Brightspace. It just didn’t feel right to me, almost like a logical fallacy. Now that I’ve switched to Pressbooks, I feel much more comfortable with how I can deliver the content. I’m considering using an OER-style book integrated with Brightspace for future projects within my organization. What I really appreciate about Pressbooks is its easy organization, ability to create strong visuals, and its navigation and accessibility features.


 

Peer Feedback

Thank you to my peers!

The feedback from my peers has been more positive than my own self-reflection. The key messages I took from their input will be critical as I move forward with refining my project. Their feedback focused on reassessing the functionality of the H5P content and placing a stronger emphasis on accessibility, which I recognize was somewhat of an afterthought in my initial design. Going forward, I plan to prioritize accessibility more thoughtfully in my revisions.

Another area that was pointed out was the lack of student-to-student interaction. This is something I’m eager to address in the next set of modules. I must admit, I was inspired by the ideas I saw in the course I analyzed, and I’ll likely incorporate message board interactions, as they align with one of my key learning outcomes. However, asynchronous interactions still feel somewhat limited, so I’m hoping to develop more engaging ideas for this aspect over time.


In the end, the version of the course I presented for review didn’t really align with my original vision—it felt like trying to cram a square peg into a round hole. Thanks to valuable peer feedback and my own reflections, I now feel much more confident about the direction I’m heading. I’m excited to continue refining this project and to see it come to life in a way that truly reflects my goals.

My next steps

Increase/Implement Student-to-Student Interaction

  • Add discussion boards, group projects, or peer reviews.
  • Consider integrating synchronous sessions (e.g., live chats or video sessions) if possible.

Check H5P Functionality

  • Ensure features are working as intended
  • Ensure all interactive elements work smoothly on different devices.
  • Test compatibility with different browsers to confirm the best user experience.

Check Accessibility on Various Devices

  • Test your course on mobile phones, tablets, and desktops to ensure it’s responsive and user-friendly across platforms.
  • Check for screen reader compatibility and easy navigation for users with disabilities.

Use an Accessibility Lens to Critically Examine Content

  • Reassess text contrast, font sizes, and color schemes to ensure readability for all students.
  • Review alt-text for images, captions for videos, and ensure all multimedia content is accessible.
  • Use accessibility tool to analyze and improve content. Content types recommendations – H5P

H5P content language translation limitation

We were recently introduced to H5P tools, and one of the exciting features was since it is text based content could be translated by the user via the built in translator in their internet browser.

The feature seems to work on where the H5P is hosted.

In this example Pressbooks.

Original

Translated

So all seems great.

However when I use this in my LMS it translates all the text in the webpage, except the H5P content

I thought maybe it was something specific to Brightspace as an LMS, so I tried Canvas and had the same issue.

I then thought maybe it was an LMS problem, so I created a website with Google Sites ( which is pretty good and easy to use). But alas the same issue.

Shame this doesn’t seem to work It was a really exciting feature to me.

If there is a work around I’d love to know.

H5P Content for Module One

Hi everyone,

I can’t get the imbedded links perform how they are supposed to, but the direct link should take you to the H5P website.

My Video walk through is here
Part 1
Part 2 with update on identified issue in part 1

This is the H5P content for my first module that can act in conjunction with my walkthrough screencast. The Brightspace course this resides in is unfortunately only available to Saskpolytech Employees and Students. I do feel I can recreate the experience fairly well here though.

This was my original plan for this Learning Step

 

After the February 27th class I adjusted this based on some of the H5P activities we discovered.

I will create a welcome video/page which will act as an introduction to the course, but it wasn’t what I’d consider a module, so I am presenting the content related to my first learning outcome.  In the intro I will instruct the student on how to translate the H5P content to their desired language. From my tests it works well.


I was going to use a video and hotspots, but I removed the idea of the video, and utilized the Agamotto exercise to display the content. I like this as it allows the user to move through the content at their pace, go back and forth any way they would like.

I added the markers along the path of the slider for the user to easier access each point.

D2L Brightspace Menu Orientation | H5P

This is my form of an assessment for this learning outcome, which is essentially the student knows what each area of the menu does.

This is a game map H5P exercise. I used DALL-E to create the map, which I think is a good start, but it has the AI image oddities in it.  I did feed it the colour hex codes to use that align with my organization’s colour guide.

The student moves through 10 stages of questions that ask them about the same content above. They can retry as many times as they need to on each question. The question types range from fill in the blank, Multiple choice, True/False.

It is a no risk type of assessment. I think it is a fun different way of working with some simple concepts.


D2L Navigation Game Map | H5P


The faults of this module are that it doesn’t adhere to some concepts of accessibility.  Written instructions are provided in a PDF, however it does lack the ability of an assessment.

« Older posts